AI Media

Founded in Australia in 2003, AI-Media is a pioneering technology company specialising in innovative captioning workflow solutions.  

As a global leader, AI-Media provides high-quality AI-powered live and recorded captioning and translation technology and solutions to a diverse range of customers and markets worldwide.  

For the first time in February 2024, AI-Media was able to unveil ground-breaking data showcasing the superiority of its AI captioning product, LEXI, over traditional human workflows. This milestone further solidifies AI-Media's position as the foremost AI technology leader in live and recorded captioning workflow solutions.  

With a commitment to utilising our deep industry experience and sophisticated AI technology to create solutions which streamline and simplify processes, AI-Media empowers leading broadcasters, enterprises and government agencies globally to ensure seamless accessibility and inclusivity in their content. 

AI-Media (ASX: AIM) commenced trading on the ASX on 15 September 2020. 

 

As part of our 'Brains Behind the Bigger Picture' series, we asked our partners to answer some of the burning issues from this year's programme. Here AI Media gives their take on TV today and tomorrow:

Fast-forward to 2030, what do you think will be the single biggest change in how people experience television?

By 2030, television will be fully personalized and increasingly language-agnostic. Viewers will expect content to adapt to their preferences in real time - from the language it's delivered in, to the format and level of detail. Accessibility tools like captions, translations, and even AI-generated summaries will be seamlessly integrated into every viewing experience, not as an add-on but as a default feature. For broadcasters, this shift will unlock entirely new ways to engage and monetise global audiences.

What emerging technology do you believe is most likely to disrupt TV – and what are we underestimating?

AI voice translation will be a game-changer. As generative AI evolves, it’s no longer just about understanding speech - it’s about replicating tone, preserving emotion, and delivering content in the viewer’s native language instantly. We’re underestimating how fast this technology will become broadcast-grade, and how transformative it will be - not just for accessibility, but for creating multilingual content at scale and tapping into new markets.

What’s the biggest misconception people have about where TV is heading?

That accessibility is a niche concern. In reality, inclusive design benefits everyone. Captions aren’t just for deaf or hard-of-hearing viewers - they’re used by people in noisy environments, second-language speakers, and increasingly by default on social platforms. The idea that accessibility slows innovation is outdated; in fact, it’s driving some of the most exciting developments in TV - and offering smart broadcasters new ways to increase viewership and engagement.

What does truly inclusive TV look like in 2030—and what needs to happen now to make it a reality?

Truly inclusive TV in 2030 means that every piece of content - live or on-demand - is accessible, understandable, and engaging for everyone, regardless of ability or language. To get there, broadcasters need to adopt AI-driven tools like LEXI today to lay the foundation. It also means embedding accessibility into production and distribution workflows and embracing real-time multilingual support to reflect global audiences. The bonus? Greater inclusivity brings with it expanded reach, stronger viewer loyalty, and new monetisation opportunities across regions and demographics.

In a multi-platform, multilingual world, what’s the future of accessible media?

The future is intelligent, real-time, and everywhere. Whether you’re watching on a phone, headset, or smart TV, accessible media will follow you - powered by AI that understands context, delivers accurate captions and translations instantly, and adapts to your environment. For broadcasters, this presents a golden opportunity: creating content that resonates across languages and platforms, boosting discoverability, and unlocking new revenue streams through wider global distribution.

RAPID FIRE QUESTIONS

Fragmentation or consolidation? Fragmentation. Audiences want choice, and niche services thrive by serving highly engaged communities.

Linear schedule or On-demand freedom? On-demand freedom. Flexibility is the new norm - viewers expect to watch what they want, when they want.

One platform to rule them all or Specialist services? Specialist services. Personalised, content-rich platforms will win loyalty over all-in-one giants.

Subscription-based or Ad-supported? Ad-supported. With economic pressures and smarter targeting, free content funded by ads is gaining traction.

Binge releases or Weekly drops? Weekly drops. They drive sustained engagement and social buzz - better for long-term impact.

Local content or Global hits? Local content. Authentic, culturally relevant stories travel further when paired with accessible technology like captions and translation.

Traditional ratings or Engagement metrics? Engagement metrics. Time spent, shares, and interactions are more telling than raw viewer numbers.

Second screen or Single screen?  Second screen. Viewers are multitasking - captions and companion content enhance rather than distract.

Smart TVs or Streaming sticks? Smart TVs. Built-in tech is catching up and offers a more seamless, accessible user experience.

Voice control or Remote control? Voice control. As accuracy improves, voice becomes the go-to for accessibility and ease of use.

Augmented reality or Virtual reality? Augmented reality. It enhances the viewing experience without isolating the user from the real world.

Short-form snackable or Long-form immersive? Both - but skewing towards short-form. Attention spans are short, but immersive content still wins when done well.

Personalisation or Shared national moments? Personalisation. Customised content experiences drive relevance - though shared moments still have cultural power.

AI-generated content or Human-made storytelling? Human-made storytelling. AI can assist, but emotional depth and narrative complexity remain human strengths.

Interactive formats or Classic narrative? Interactive formats. Emerging tech makes storytelling more participatory - perfect for younger, engaged audiences.

 

Ateme

Ateme is a global leader of video compression and delivery solutions, helping tier-one content providers, service providers and streaming platforms boost their viewership and subscriber numbers.

Leveraging an R&D task force that is unique in the video industry, Ateme’s solutions power sustainable TV services, improve end-users’ quality of experience, optimize the total cost of ownership of TV/VOD services, and generate new revenue streams based on personalization and ad insertion. Beyond offering technological agility, Ateme partners with its customers, offering flexible business models that match their financial priorities.

 

As part of our 'Brains Behind the Bigger Picture' series, we asked our partners to answer some of the burning issues from this year's programme. Here Ateme gives their take on TV today and tomorrow:

Fast-forward to 2030 – what do you think will be the single biggest change in how people experience television?
Television will become increasingly personalised and immersive, combined with the capabilities of generative AI.

What emerging technology do you believe is most likely to disrupt TV – and what are we underestimating?
Personalisation through generative AI.
Generative AI will not only create tailored video stories but may also alter traditional audiovisual experiences in real time – changing the viewing angle, modifying the surrounding environment, adding accessibility features, or even representing your friends alongside you. All of this could happen in near-live scenarios.

What’s the biggest misconception people have about where TV is heading?
"Misconception" might be a strong word, but the idea that audiovisual content will always remain a uniform "one-to-many" experience is perhaps too limiting for the future media world.
As described above, while the narrative or event may stay the same, there could be personalised "renditions" of it.
Another assumption worth challenging is that most entertainment will continue to be consumed on conventional 2D screens (TVs, tablets, mobiles). A shift towards XR glasses and head-mounted displays (HMDs) is anticipated.

From multi-view to spatial audio – what’s your vision for the future of immersive broadcasting?
As mentioned, immersive experiences will play a growing role – but only if devices are affordable and deliver good quality. Production itself is not the barrier; success will depend on building a sufficient audience and sustainable business models.

How do you see personalisation and interactivity shaping the next chapter of TV – and what tech needs to evolve to make it happen?
Again, as outlined above, recommendations and the user interfaces that deliver them will be fundamental to personalisation.
These recommendations could extend beyond content to spatial viewpoints or favourite locations within a story or event.
Linking personal activities and personality traits can provide further insight. Natural language and emotion analysis, powered by AI, could "know" the viewer, understand reactions, and adapt content accordingly. Personal recommendations from relatives and friends could add another layer to this experience.

This "knowledge" naturally raises important questions around "privacy by design".
The user interface will be crucial to a positive personalisation experience – enabling users to easily pursue their interests without feeling restricted or overwhelmed.

RAPID FIRE QUESTIONS

Fragmentation or consolidation? Both: fragmentation of the offers but consolidation from media company perspective

Linear schedule or On-demand freedom?  Linear personalized = linear on demand (without demanding)

One platform to rule them all or Specialist services? Specialist services

Subscription-based or Ad-supported? Ad-supported

Binge releases or Weekly drops? Weekly drops or instant generated

Local content or Global hits? Personalised content and Global hits

Traditional ratings or Engagement metrics? Engagement metrics

Second screen or Single screen? Second screen

Smart TVs or Streaming sticks? Smart TVs

Voice control or Remote control? Voice control with “Mood control” (Emotion control)

Augmented reality or Virtual reality? Augmented reality

Short-form snackable or Long-form immersive? Long-form immersive

Personalisation or Shared national moments? Both

AI-generated content or Human-made storytelling? AI-generated content

Interactive formats or Classic narrative? Classic narrative

Red Bee

Red Bee Media is the leading global media services partner for innovation and growth. Every day, millions of people across the globe discover, enjoy and engage with content prepared, managed, broadcast and streamed using Red Bee’s services. The company empowers some of the world’s strongest media brands, broadcasters and content owners to instantly connect with audiences anywhere at any time. Headquartered in London, with 2300 media experts in Europe, the Middle East, Asia Pacific and North America, Red Bee provides innovative solutions across the entire content delivery chain including Playout, OTT, Distribution, MCR, Media Management, Access Services, Content Discovery, and Post-Production.

Simplestream

Simplestream is an award-winning and best-in-class provider of next-generation TV solutions to some of the biggest players in the broadcast, publishing, sports, and media industries.

Founded in 2010 with headquarters in London, Simplestream supports over 30 customers worldwide in designing, developing, and delivering innovative and design-led solutions that simplify complexity.

Simplestream’s suite of products includes Media Manager, the powerful video service platform to manage content for distribution; App Platform, the out-of-the-box product to launch premium video services with flexible monetisation models; Channel Studio, to create linear live streams from a combination of VOD assets and live events, via an easy-to-use scheduler.

Simplestream also provides a range of services and products covering insights and analytics, self-service live events, authentication, and much more. Simplestream provides simplified workflows and cloud-based solutions to industry leaders, including Channel 4, UKTV, A+E Networks, TN Marketing, AMC Networks International, CBS, GB News, News UK, Sony, SIS, GAAGO, URC, TELUS, and QVC.

 

 

As part of our 'Brains Behind the Bigger Picture' series, we asked our partners to answer some of the burning issues from this year's programme. Here Simplestream gives their take on TV today and tomorrow:

 

Fast-forward to 2030, what do you think will be the single biggest change in how people experience television?

By 2030, the primary method for television distribution will be digital. Cord cutting is well underway, as we know, and it’s predicted that 95% of homes will be able to watch television over the internet by 2030, therefore the viewing experience will sit firmly with Connected TVs, mobiles and devices.

 

What emerging technology do you believe is most likely to disrupt TV – and what are we underestimating?

Though not a recent development, advances in monetisation technologies will be fundamental to ensuring the long-term financial viability of the television industry. Rather than disrupt, these technologies will be essential to maintain the industry’s sustainability. We're potentially underestimating their impact, and we urge any broadcaster evaluating their digital transformation strategy, to consult with experts about the type of ad tech that will be most suited to their commercial objectives.

 

What’s the biggest misconception people have about where TV is heading?

The biggest misconception is that we’re going to lose the large screen viewing experience, in preference for viewing on mobiles/devices. Smart TVs will offer the most popular viewing experience, but it will be interesting to see how platforms such as You Tube and other digital first eco-systems adapt further to make full use of these platforms.

 

With consumer expectations evolving, what’s the next frontier in OTT and streaming?

The next frontier in OTT and streaming lies in hyper-personalisation, intelligent content discovery, as well as immersive engagement.

As consumer expectations evolve, audiences no longer just want access—they want relevance. The days of scrolling endlessly are numbered. The tables are turning, and viewers expect content to find them, not the other way around.

We'll also see a convergence of commerce, community, and content. Shoppable streams, social co-viewing, and gamified experiences will play a growing part in how audiences engage with media. And of course, all of this needs to be underpinned by a robust, flexible tech stack that can scale globally but still feel local.

 

How can broadcasters innovate faster and smarter?

A defined product roadmap, regular releases and a best of breed approach is still the most effective way to innovate. An agile approach to OTT services allows us and our broadcast customers to stay ahead of the curve.

 

RAPID FIRE QUESTIONS

Fragmentation or consolidation? Consolidation

Linear schedule or On-demand freedom? On-demand freedom

One platform to rule them all or Specialist services? Specialist services

Subscription-based or Ad-supported? Ad supported

Binge releases or Weekly drops? Weekly drops

Local content or Global hits? Global hits

Traditional ratings or Engagement metrics? Engagement metrics

Second screen or Single screen? Single screen

Smart TVs or Streaming sticks? Smart TVs

Voice control or Remote control? Remote control

Augmented reality or Virtual reality? Augmented reality

Short-form snackable or Long-form immersive? Short Form-snackable

Personalisation or Shared national moments? Personalisation

AI-generated content or Human-made storytelling? Human-made story telling

Interactive formats or Classic narrative? Classic narrative

Synamedia

We’re trusted by service providers and content owners to deliver, enrich, and protect video. The flexibility and agility of our cloud and SaaS products enable customers of all types and sizes to launch, monetise, and scale services at speed. Our award-winning portfolio includes advanced advertising, business analytics, broadband and streaming video platforms, anti-piracy solutions, and video network solutions for processing, distribution, and delivery. Synamedia is backed by the Permira funds.